Denmark, the hometown of this fairy tale master Andersen, its unique cultural atmosphere has spawned a group of world-class design masters. Its unique design concept has deeply imprinted the Danish national culture and formed a strong Danish national style. Danish furniture design has a strong ethnic and regional color, which is the result of its geographical environment, climate and natural resources, as well as their history, culture and tradition. After adhering to the traditional connotation and cultural heritage, they combine ordinary realism and whimsy to achieve the perfect combination of romanticism and realism.

In the 1950s, Nordic furniture produced a new leap, and its “simple and organic” form and “natural color and texture” were once again popular. Denmark is a country full of winter fairy tales, charming and ancient in people's minds. The Danish design combines the design ideas of Northern Europe and other countries. Its typical style features both modern and elegant styles and traditional elegance. It combines simplicity, sophistication, nature and beauty, combining modern and traditional styles. .

one. Smooth lines and vivid shapes

The purpose of morphological design is to create an infectious form. From the design point of view, the factor to be considered in the design of furniture is the design form of furniture, while the furniture design in the Danish school has reached a beautiful state.

Art design in furniture design is a combination of practicality and beauty. It is a plastic art centering on the relationship between furniture and "people". In the shape of furniture, the actual feeling that can be seen or touched is the real form, and at the same time there is a form that the visual and tactile cannot directly feel, that is, the form of the concept. The form of the concept is that the designer's design idea expresses the design idea through the point, line, face and room of the furniture. The points, lines, faces and bodies in these furniture are the basic elements that fully embody the designer's design idea. The lines are rich and change, and the expression of movement is the strongest. Straight lines and curves have opposite aesthetics in vision, and the application of line design in the aesthetics of furniture design will be eternal. The furniture made up of straight lines can give people a sense of rigidity, stability and solemnity, and it is embodied in the art of “power”. The shape of the furniture made of curves can give people a lively, smooth and beautiful feeling, and it is embodied in the art of “moving” beauty. Therefore, the curve-based furniture style is characterized by imposing, tortuous and smooth. Different linear combinations form different contours, and can also express the artistic characteristics and aesthetic style of different furniture, so that the shape of the furniture reflects the characteristics of stability and straightness, and can also give people a smooth, lively curve and the beauty of the furniture. It has the artistic effect of being both soft and soft, with both form and spirit, and unique ingenuity. The charm of the curve in the works of Danish design masters is very well presented.

two. High quality materials

The chair may be the most designed piece of furniture. Almost all of the materials are used to make chairs, including metal, plastic, wood, bamboo, leather, and fabric. Some people have used newspapers to design chairs. Although the designer has many attempts, not all materials are suitable, so the Danish furniture designer has injected considerable energy into the selection and matching of materials. Appreciating the classic furniture of the Nordic Denmark in the 20th century, it shows that the designer not only regards the raw materials that constitute the works as the carrier of a function, a theme or concept, but tries to apply a new or even alternative design concept. Raw materials are spiritual.

three. Design thinking

It is not difficult to find that the designers of the Danish school in the 20th century always try to transcend, to explore new fields and carry out cross-experimental creations, always looking for a more modern, more avant-garde and more aesthetic value than the existing ones. The way of expression. They use their unique expression techniques to advocate a people-oriented design concept, integrate humanity and traditional culture into the design, to achieve the unity of rationalization and humanity, the perfect combination of function and practicality, thus creating design aesthetics. The eternal paradigm. It can be said that the essence of design is based on tradition and transcend tradition. The Danish school's pioneering spirit and innovative concept have laid the undisputed position of Danish designers in the design field.

This in turn allows us to rethink the vitality and expressiveness of design, the concept of innovation and the spirit of tradition, the integration of foreign ideas and local culture. Danish classic furniture works all reflect the national and global understanding. It not only relies on the excavation and absorption of the national culture, but also on the reference of the essence of foreign national culture.

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